I train actors and research performance

through intercultural and visual methodologies.

My approach combines practice-led methodologies with

Stanislavski, Actioning, Laban,

Traditional Chinese Opera, and Daoist Wuwei—

forming an intercultural performance training framework that

bridges traditions and innovation.

I integrate visual and embodied learning through

Rich Picture diagrams, metaphors, and playful exploration,

ensuring that knowledge is not just understood,

but deeply felt, seen, and lived.

My research has been recognised as

‘a radical rethink of Stanislavski’s communication’ (TDPT, 2024)

and awarded Second Prize, International Theatre Academy Awards (2022)

for innovation in intercultural training.